Lustmord is an installation which was prompted by the atrocities of the Ex-Yugoslavia war. Lustmord is the association of two German words: Lust, which means desire, and Mord which signifies murder or assassination. In German this building of words is ambiguous and can convey in the same time “sex-murder”, but also “rape-slaying”, “lust-killing”. This installation was at first a group of photographs (a selection is displayed on the exhibition), representing written sentences on human bodies. Those are fragments, following various points of view like the one the victim or the torturer, testimonies of horrible facts such as “she acts like a left animal for cooking”, “she has no taste left to her and this makes it easier for me”. For the exhibition the installation is composed by a group of human bones, masculine and feminine, lying on a wooden table. On the bones we discover silver bands where are engraved those same fragments. The choice of the material is here of a great intelligence. It puts into light with power the eternal mark of the violence which went trough the flesh and even penetrated until the bone. The fact of not engraving directly on it but on a silver band could refer to those chain bracelets we conserve all our life, where initials or significant sentence keeps rubbing against our skin. But here there is no more protection, no more frontier between the verb and our intimacy, since those women or girls got hurt far beyond their skin. The sanctuary of Lustmord could be the incarnation of the deep violence of this war, too often left apart.